The Dark Knight Rises: Nolan's Vision of a Dark and Realistic Batman
Meanwhile, organized crime has been eradicated in Gotham City by legislation, the "Dent Act", giving expanded powers to the police. Police commissioner James Gordon has kept Dent's killing spree as "Two-Face" a secret and allowed the blame for his crimes to fall on Batman. Bruce Wayne, still mourning the death of Rachel Dawes, has become a recluse and Wayne Enterprises has stagnated. Bane enlists businessman John Daggett to buy Bruce's fingerprints.
Cat burglar Selina Kyle steals Bruce's prints from Wayne Manor for Dagget, but he double-crosses her and she alerts the police, who pursue Bane and Daggett's henchmen into the sewers while Kyle flees. The henchmen capture Gordon and take him to Bane, but he escapes and is found by officer John Blake, an orphan who has deduced Bruce's secret identity and persuades him to resume his vigilantism. Bane attacks the Gotham Stock Exchange; though the attack appears unsuccessful when Batman resurfaces while intercepting Bane and his subordinates, he uses the fingerprints in a series of fraudulent transactions, leaving Bruce bankrupt. Fearing Bruce will get himself killed fighting Bane, his butler, Alfred Pennyworth, resigns in the hope of saving him, after admitting that he burned a letter that Rachel left for him saying she was going to marry Dent. Bane expands his operations and kills Daggett while Bruce and Wayne Enterprises' new CEO Miranda Tate become lovers.
the dark knight rises
The Pittsburgh leg of production wrapped after three weeks on August 21, 2011. The next portion of the filming began in Los Angeles in late August and finished up on October 23 after nine weeks of filming. New York and New Jersey were the next places of filming. The Trump Tower replaced the Richard J. Daley Center as the location for the headquarters of Wayne Enterprises. In November 2011, shooting shifted to Newark, New Jersey. Newark City Hall and Military Park were among the locations used for filming. Other shooting locations include London and Glasgow, the latter of which was used for "additional exterior filming". Principal photography concluded on November 14, 2011. The external waterfall scene at the end of the film was shot at Sgwd Henrhyd falls, on the edge of the Brecon Beacons National Park in Wales.
Various websites received a package that included a cylinder map of "strike zones", and a "fire rises" T-shirt. In April 2012, the film's official website was updated with a "dossier" on a suspect named "John Doe" also known as "the Batman" for an arrest, with a list of several accusations. The premise of the campaign starts when the mayor of Gotham City "redoubles" the effort to capture Batman and anyone supporting his return in preparation for the upcoming "Harvey Dent Day". The site also includes an extensive list of real-world locations where "graffiti related to movement in support of the vigilante's return" is located. For each tweet of a specific location marked on the list, a frame of the second theatrical trailer for the film was released on a separate website.
The Guardian scored the film four out of five stars, calling it a film of "granite, monolithic intensity", yet also calling it a "hammy, portentous affair". Andrew O'Hehir of Salon writes "if The Dark Knight Rises is a fascist film, it's a great fascist film, and arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen". Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, stating "the film begins slowly with a murky plot and too many new characters, but builds to a sensational climax."
The result, in Christopher Nolan's conclusion to his Batman trilogy, is an ambitious superhero movie with two surprises: It isn't very much fun, and it doesn't have very much Batman. I'm thinking of the over-the-top action sequences of the earlier films that had a subcurrent of humor, and the exhilarating performance of Heath Ledger as the Joker. This movie is all serious drama, with a villain named Bane whose Hannibal Lecterish face-muzzle robs him of personality. And although we see a good deal of Bruce Wayne, his alter-ego Batman makes only a few brief appearances before the all-out climax.
One of the women is the always enigmatic Catwoman (Anne Hathaway), and the other is Miranda Tate (Marion Cotillard), a millionaire who may be able to rescue Wayne Enterprises after Bane's stock market mischief wipes out Wayne financially. Catwoman is a freelance burglar who's always looking out for number one, and Miranda is a do-gooder environmentalist; both are drawn irresistibly to Bruce, who is not only still a bachelor but has spent the last eight years as a hermit, walled up in Wayne Manor with the loyal Alfred.
This is a dark and heavy film; it tests the weight a superhero movie can bear. That Nolan is able to combine civil anarchy, mass destruction and a Batcycle with exercise-ball tires is remarkable. That he does it without using 3D is admirable. That much of it was shot in the 70mm IMAX format allows it to make that giant screen its own. That it concludes the trilogy is inevitable; how much deeper can Nolan dig? It lacks the near-perfection of "The Dark Knight" (2008), it needs more clarity and a better villain, but it's an honorable finale.
I'm trying to make a number of points at once about "The Dark Knight Rises," but I can't help being distracted for a second by the fact that no living New Yorkers, in all likelihood, can remember significant winter ice on the Hudson or East rivers (which was relatively common in the 19th century). I honestly don't know whether Nolan is some kind of furious right-winger, and I also don't think it's an especially important question, but in his Batman universe global warming seems to be a myth. Of course the ice around Gotham, like that prison shaft, serves an allegorical as well as a narrative function. I'm tempted to argue that the real story of Nolan's "Dark Knight" trilogy is the story of its own creation, a dark, personal, auteurist spectacle on a scale never before possible and never before attempted, and an enormously successful mass-market entertainment to boot. If the central theme of these movies is the triumph of the will (to coin a phrase), then that triumph is not Batman's or Bruce Wayne's but that of solitary and devious superhero/supervillain Chris Nolan, as he imposes his bizarre obsessions on the entire world.
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But if "The Dark Knight Rises" is a fascist film, it's a great fascist film, and arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen. It's an unfriendly masterpiece that shows you only a little circle of daylight, way up there at the top of our collective prison shaft -- but a masterpiece nonetheless. Fighting against the tendency toward exhaustion in the final chapter of any entertainment franchise, Nolan, cinematographer Wally Pfister, editor Lee Smith, production designers Nathan Crowley and Kevin Kavanaugh, and their enormous team have done grandiose and magnificent work, spinning this operatic saga of a great city brought to its knees and an idol smashed.
Wayne Enterprises is on the point of becoming bankrupt after Bruce wasted almost all of the companies money on a fusion reactor project when he learns that the core could be weaponized. Later, Bane attacks the Gotham Stock Exchange, using Bruce's fingerprints to bankrupt Wayne Enterprises. Alfred Pennyworth, concerned that Bruce has not moved on from being Batman, reveals to him that Rachel Dawes had intended to marry Dent before she died, and resigns in an attempt to dissuade him. Fearing that Daggett, Bane's employer, would gain access to the reactor, Bruce and Lucius Fox asks board member Miranda Tate to take over his company. Bane later kills Daggett. After being promised to erase her records, Selina agrees to take Batman to Bane, but instead betrays him to a trap. Bane appears and reveals that he intends to fulfill Ra's al Ghul's mission to destroy Gotham with the League of Shadows. He breaks Batman's back and takes him to a foreign, well-like prison where escape is impossible. The inmates tell Bruce the story of Ra's al Ghul's child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so; Bruce thinks the child is Bane.
The Dark Knight Rises has terrific moments, and if it lacks a force like Heath Ledger's Joker, it isn't as assaultive as The Dark Knight. Nolan fans should be pleased, at least until the terribly coy ending. But with all the murk and solemnity, there's no exhilarating pop. You might say it never quite rises.
As Miranda Tate, she became a Wayne Enterprises board member engaged in philanthropic endeavors for Gotham City, including charity fundraising. She personally heavily invested in Wayne Enterprises clean energy fusion reactor project. She persistently tried to meet with Bruce to discuss the clean energy project after he shut down the project for three years, but she was ignored by a reclusive Bruce. She was described to Bruce as "quite lovely" by Alfred and Lucius Fox. Lucius also described her as "smart" to Bruce and reminded him that, "She has supported the project all the way".
When Bruce lost all of his money due to identity theft and bad stock trades, he feared a takeover of Wayne Enterprises and the reactor by Daggett and so he showed Miranda the reactor in its bunker under the Gotham River. He told her to take control of the company and the reactor, to keep the reactor safe or destroy it if need be. At their next board meeting, she became the new CEO of Wayne Enterprises. Daggett was then killed by Bane after the meeting.
Soon, a meeting was called by Miranda with a skeptical Lucius to discuss the fusion reactor at Wayne Enterprises, but there Bane and the mercenaries were waiting for them in the board room. They took the two of them and Douglas Fredericks to the underground bunker where the Wanye Enterprises fusion reactor was held. When Fredericks' life was threatened, Miranda told them to stop and the reactor was turned on with her and Lucius's hand prints.